Avery Galleries
Skip to main content
  • Menu
  • Home
  • Artworks
  • Artists
  • Exhibitions
  • ABOUT
  • Viewing rooms
  • Contact
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

artworks

Open a larger version of the following image in a popup: Francis Davis Millet, Portrait of Sadie P. Waters, 1888

Francis Davis Millet

Portrait of Sadie P. Waters, 1888
Oil on canvas
49 x 31 inches (124.5 x 78.7 cm)
Signed at lower right: F.D. Millet
Inscribed on verso: Sadie P. Waters, aetatis suae XX, F.D. Millet pinxit, New York April 1888 AG 5305
Inquire
%3Cdiv%20class%3D%22artist%22%3EFrancis%20Davis%20Millet%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPortrait%20of%20Sadie%20P.%20Waters%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1888%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E49%20x%2031%20inches%20%28124.5%20x%2078.7%20cm%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%20at%20lower%20right%3A%20F.D.%20Millet%3Cbr/%3E%0AInscribed%20on%20verso%3A%20Sadie%20P.%20Waters%2C%20aetatis%20suae%20XX%2C%20F.D.%20Millet%20pinxit%2C%20New%20York%20April%201888%20AG%205305%3C/div%3E
Executed during the years Millet divided his time between America and England, the artist painted Sadie, the nineteen-year-old daughter of prominent St. Louis industrialist William H. Waters, before she left...
Read more

Executed during the years Millet divided his time between America and England, the artist painted Sadie, the nineteen-year-old daughter of prominent St. Louis industrialist William H. Waters, before she left to study art in France. Although Millet concentrated on genre scenes at this time, he was likely encouraged to paint Sadie because she possessed the open, rather dreamy look of the models he often used, as well as because of the prominence of her family (her father founded the Waters-Pierce Oil Company with Henry Clay Pierce, which eventually became part of the famed Standard Oil Trust).


Noted critic Marianna Van Rensselaer singled out the present work in her review of the National Academy's 1889 annual exhibition, describing Millet's submission as "a delicate and refined figure of a charming maiden in a lavender gown." 1 In addition to capturing the pensive, rather faraway expression on Sadie’s youthful face, Millet depicts her costume in meticulous detail. Here, the rich texture and soft folds of the pale lavender-grey fabric contrast with the lighter floral print of the layer below, reflecting and absorbing light in a display of painterly skill. Though small, the exquisitely detailed fresh rose in Sadie’s hand gives emphasis to the colors inher face, creating a vibrant and luminous composition from the basic elements of a society portrait.


Soon after the present portrait was painted, Sadie Waters left to study painting in Paris. She apparently resided there for most of her remaining years, achieving the notable success of an honorable mention at the 1900 Paris Exposition Universelle for one of her miniatures. Sadly, she experienced what must certainly have been the high point of her career in the same year that she died, prematurely, at the age of 30.


Millet, a Harvard University graduate who studied at Antwerp’s Royal Academy of Art, traveled the world as a war correspondent and illustrator. In 1884, he visited the art colony at Broadway, Worcestershire, England, and soon purchased a house and studio in the village. For many years thereafter, he divided his time between England and his native United States, meeting an untimely death as a passenger on the ill-fated Titanic crossing of 1912.

Close full details

Provenance

Provenance:

private collection, 1945, Elkton, Maryland by family descent, to the present

Exhibitions

Exhibitions:

National Academy of Design, New York, Sixty-Fourth Annual Exhibition, 1889, no. 279, as

Portrait of Miss W

Literature

Literature:

Mrs. Schuyler Van Rensselaer, "Fine Arts: The Academy Exhibition," The Independent, May 16, 1889, p. 8

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
17 
of  307

PENNSYLVANIA

100 Chetwynd Drive - Bryn Mawr, PA 19010 

 (610) 896–0680  |  info@averygalleries.com

Monday - Friday, 9:30 am to 4:30 pm, and by appointment   

 

NEW YORK

14 E. 60th Street - Suite 807 (Madison & Fifth Ave), New York

(929) 625-1008  |  cheins@averygalleries.com

By appointment only

Join the mailing list
Send an email
Facebook, opens in a new tab.
Instagram, opens in a new tab.
Manage cookies
Copyright © 2025 averygalleries.com
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Please join our mailing list

Sign up

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.