William Babcock 1826-1899
Roses and Chrysanthemums in a Vase, c. 1875
Oil on canvas
18 1/4 x 13 1/2 inches (46.4 x 34.3 cm)
Framed dimensions: 22 7/8 x 17 1/2 inches
Framed dimensions: 22 7/8 x 17 1/2 inches
Signed upper left: W. Babcock
An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Boston, Massachusetts but lived...
An expatriate painter, noted for figurative paintings of peasants as well as classical works, Biblical scenes, mythological subjects, and still lifes, William Babcock was born in Boston, Massachusetts but lived most of his life in France. In 1847, he became one of the first Americans to study with Thomas Couture in Paris. He then went to the village of Barbizon where, along with other American artists, he did peasant genre paintings. He became good friends with Jean-Francois Millet, a leading Barbizon painter, whose figure painting much influenced Babcock. Babcock introduced William Morris Hunt to Millet, and, in turn, Hunt became a strong exponent of the Barbizon School of painting in America.
Although he continued to live in Paris and died in that city, Babcock had a good market for his work in Boston. The Boston Museum of Fine Arts has a large collection of his figurative works. His floral still lifes are comparatively rare, and this exuberant floral display is one of the few known examples by the artist. This gorgeous still life clearly demonstrates Babcock's remarkable technical skills. While this work has many of the hallmarks of Victorian still life painting, Babcock has rendered this subject with loose and fluid brushwork, which is entirely reflective of his own individualistic style.
Although he continued to live in Paris and died in that city, Babcock had a good market for his work in Boston. The Boston Museum of Fine Arts has a large collection of his figurative works. His floral still lifes are comparatively rare, and this exuberant floral display is one of the few known examples by the artist. This gorgeous still life clearly demonstrates Babcock's remarkable technical skills. While this work has many of the hallmarks of Victorian still life painting, Babcock has rendered this subject with loose and fluid brushwork, which is entirely reflective of his own individualistic style.
Provenance
Private collection, England;By descent in the family, until 2021;
Private collection, New York
Please join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.