12 Days of Christmas: A Selection of Special Paintings

1 - 25 December 2025
It’s time for this year’s 12 Days of Christmas! Enjoy this selection of paintings offered at special prices. Please contact the gallery directly for pricing details. The works are on view at our location in Bryn Mawr, so if your interest is piqued, please visit!
  • On the First Day of Christmas...

    On the First Day of Christmas...

    House in Center Bridge captures the magic of a familiar place. Despite having no formal art training, Kenneth Nunamaker’s direct observation of nature and intimate knowledge of Bucks County, where he lived, make his paintings beautiful testaments to his love of the area and his ability to capture the light, color and atmosphere that create a sense of place. This charming plein-air landscape also has its original frame, which Nunamaker made and signed.
  • On the Second Day of Christmas...

    On the Second Day of Christmas...

    Lloyd Ney, a modernist painter who lived and worked in New Hope, traveled widely throughout his career. He was deeply influenced by the vibrant and diverse modernist ideas he learned in Paris and applied them to his art long after he returned to the States. He completed this lively work on paper during a trip to Martinique. The layering of brushstrokes over the figural composition and the bold color create a sense of dynamic energy. This is a double-sided painting, with another fully executed watercolor of figures dancing on verso.
  • On the Third Day of Christmas...

    On the Third Day of Christmas...

    Charles Henry Gifford was largely a self-taught artist, who was exposed at an early age to the rich artistic milieu of New Bedford, Massachusetts. He wrote: "What set me to painting was...seeing an exhibition of Bierstadt's paintings...I was so enthused that I came home, got some cloth and paint and went right to work.” Gifford became an accomplished and successful Luminist painter. He excelled at capturing the subtle and dramatic effects of light, stillness, precise realism and softly glowing surfaces.
  • On the Fourth Day of Christmas...

    On the Fourth Day of Christmas...

    Born in San Francisco in 1875, Edward Cucuel spent much of his life as an expatriate, learning from the leading French and German academicians of the era. Despite, or perhaps because of, his penchant for travel, he established a strong international reputation and a successful career in Europe as well as the United States. While living in Germany he developed his signature impressionist style of a warm pastel palette and thick impasto. He uses this style to great effect in Manhattan Towers (East River). Cucuel beautifully captures the vaporous skyline that rises from the calm waters of the river.
  • On the Fifth Day of Christmas...

    On the Fifth Day of Christmas...

    Around 1926, Maurer devoted a good deal of time to painting flower studies infused with a marked degree of spontaneity. These florals were executed in a variety of media, and Maurer used this body of work as an opportunity to experiment with different techniques. In this painting titled Floral Still Life, Maurer has built the surface up in layers through glazing and scumbling thin areas of paint. The resulting work is an exuberant display of Maurer’s incredible color sense as well as his ability to capture the beauty and joy found in the natural world.
  • On the Sixth Day of Christmas...

    On the Sixth Day of Christmas...

    Waiting by William S. Robinson captures the quiet beauty of the New England landscape that the artist knew so well. An integral part of the group of artists who gathered around Florence Griswold’s house in Old Lyme, Robinson cultivated an impressionist style that was atmospheric and poetic. This painting was in the same family for generations and has a beautiful original frame. 
  • On the Seventh Day of Christmas...

    Paul Burlin was the youngest artist (at 26 years old) to exhibit in the 1913 Armory Show. This pair of impressionist landscapes mark his style before he became a dedicated abstract modernist. But one can see the beginning of his abstract style in the energetic broken brushwork and strong sense of movement in these wonderful plein-air sketches.
    • Paul Burlin, Rocks and Sea, 1914
      Paul Burlin, Rocks and Sea, 1914
    • Paul Burlin, The Inlet, 1914
      Paul Burlin, The Inlet, 1914
  • On the Eighth Day of Christmas...

    On the Eighth Day of Christmas...

    Susan Van Campen’s gorgeous watercolors of flowers and the Maine landscape demonstrate her mastery of the notoriously difficult medium and singular artistic style. She says of her work: I like to paint what I see that strikes me at the moment. Things that don’t last long – like flowers and skies, water, the sunrise, clouds, approaching storms, a dandelion, an open tulip just before the petals fall off – a poppy bud before it bursts … as simple as possible, without laboring. I am trying to capture the color and shape the first time, that’s all.

  • On the Ninth Day of Christmas...

    On the Ninth Day of Christmas...

    Brookline Village in Snow by Dwight Blaney is an elegant depiction of winter in New England, specifically the Brookline area of Boston. Working within a limited scale of color, the painting evokes a cold, wind-swept American street in winter. Blaney's en plein air landscapes of New England were exhibited during his lifetime in such Boston venues as the Doll and Richards Gallery and the St. Botolph Club. Brookline Village was exhibited at the Guild of Boston Artists in 1942.
  • On the Tenth Day of Christmas...

    On the Tenth Day of Christmas...

    This exquisite still life of roses demonstrates John White Alexander’s natural artistic talent and his incredible facility with the medium of oil paint. Painted in 1883, not long after his return home from Europe, the painting showcases the dark, rich color palette and the broad bravura brushwork that were typical of the Munich style. As the inscription “Xmas – 83”suggests, this painting  was given as a Christmas gift to Agnes Clarke, who was the sister to Thomas Shields Clarke, a close friend of Alexander’s. According to family lore, Alexander was in love with Agnes at the time. However, the romance never progressed very far. By 1884, Alexander had begun to court Elizabeth Swan Williamson, whom he later married in 1887. Agnes married one year later; but she kept the painting, which remained in the family until 2019.
  • On the Eleventh Day of Christmas...

    On the Eleventh Day of Christmas...

    Henry Gasser took the immediate surroundings of his everyday life as his principle subject matter. He wanted to capture a sense of place that everyone could identify with, so he painted street scenes, backyards, public parks and fishing harbors of New Jersey and Cape Ann Harbor. In this watercolor, he deftly captures the look and feel of the cold day in the harbor, using brilliant color and stark whites to great effect. 
  • On the Twelfth Day of Christmas...

    On the Twelfth Day of Christmas...

    We typically don’t buy prints at Avery Galleries, but we could not resist this work by Alexander Calder! We too were swept up in Calder fever, after the opening of the Calder Gardens in Philadelphia. This print titled L’Etoile captures the playful exuberance that characterizes the best of Calder’s work in any medium. He loved making these prints late in his career, and they mirror the ways he played with form, color and movement in his sculpture. L’Etoile is also happy and a fitting way to say we wish you the happiest of holidays and a healthy, prosperous New Year!