Joseph Stella 1877-1946

Works
  • Joseph Stella, Blue Waterlily, c. 1930
    Blue Waterlily, c. 1930
  • Joseph Stella, Cactus Flower
    Cactus Flower
  • Joseph Stella, Great Egret, No. 2
    Great Egret, No. 2
  • Joseph Stella, Little Blue Heron
    Little Blue Heron
  • Joseph Stella, Portrait of Grace, 1944
    Portrait of Grace, 1944
  • Joseph Stella, Red Flower, c. 1920
    Red Flower, c. 1920
  • Joseph Stella, A Corner of Barbados, 1937
    A Corner of Barbados, 1937
  • Joseph Stella, Dogwood, 1919
    Dogwood, 1919
  • Joseph Stella, White Lilies
    White Lilies
  • Joseph Stella, Pink and Green Waterlily, c. 1920-25
    Pink and Green Waterlily, c. 1920-25
  • Joseph Stella, White Waterlily with Yellow Center, 1919
    White Waterlily with Yellow Center, 1919
  • Joseph Stella, Four Flamingos
    Four Flamingos
  • Joseph Stella, Great Egret, No. 1
    Great Egret, No. 1
  • Joseph Stella, Study for "Golden Fall", 1940
    Study for "Golden Fall", 1940
  • Joseph Stella, Cactus, 1914
    Cactus, 1914
  • Joseph Stella, Cactus Stems
    Cactus Stems
  • Joseph Stella, Flowers in a Vase, c. 1930
    Flowers in a Vase, c. 1930
  • Joseph Stella, Pink Orchid, 1919
    Pink Orchid, 1919
  • Joseph Stella, Pink Waterlily, c. 1920-25
    Pink Waterlily, c. 1920-25
  • Joseph Stella, Red and White Waterlilies, 1919
    Red and White Waterlilies, 1919
  • Joseph Stella, Three Cacti
    Three Cacti
  • Joseph Stella, Untitled (Flower)
    Untitled (Flower)
  • Joseph Stella, Untitled (Tree Trunks)
    Untitled (Tree Trunks)
  • Joseph Stella, Untitled (Woman's Head in Profile)
    Untitled (Woman's Head in Profile)
  • Joseph Stella, Vert et Mauve
    Vert et Mauve
  • Joseph Stella, White Iris with Fern, c. 1925
    White Iris with Fern, c. 1925
  • Joseph Stella, White Lotus Bud
    White Lotus Bud
  • Joseph Stella, Woman with Floral Cloth Background (Portrait of Grace), 1944
    Woman with Floral Cloth Background (Portrait of Grace), 1944
  • Joseph Stella, Cactus, 1919
    Cactus, 1919
  • Joseph Stella, Lotus Leaves, c. 1920
    Lotus Leaves, c. 1920
  • Joseph Stella, Mixed Flowers, c. 1920
    Mixed Flowers, c. 1920
  • Joseph Stella, Pink and Yellow Roses
    Pink and Yellow Roses
  • Joseph Stella, Pink Waterlily, 1940
    Pink Waterlily, 1940
  • Joseph Stella, Pink Waterlily with Green and Black Background, 1940
    Pink Waterlily with Green and Black Background, 1940
  • Joseph Stella, Single Stem Flower Vine, 1919
    Single Stem Flower Vine, 1919
  • Joseph Stella, Three Yellow Roses, c. 1920-25
    Three Yellow Roses, c. 1920-25
  • Joseph Stella, Blue Waterlily, c. 1930
    Blue Waterlily, c. 1930
  • Joseph Stella, Pink Flower
    Pink Flower
  • Joseph Stella, The Heron, 1925
    The Heron, 1925 Sold
Overview
Biography

To refresh and rebuild my chromatic vision I went to the flowers to learn the secret of the vibration of their colors.

-Joseph Stella

Born in Italy, Joseph Stella immigrated to New York City at the age of nineteen and went on to become one of America’s foremost modernist painters. He remained deeply loyal to his Italian heritage and was often torn between his love for both countries. As one Italian writer remarked, “Two instincts clash in him, two contrasting elements, two passions; two homelands crowd his creative thought." No doubt it was this very combination of cultures that enabled Stella to develop such a truly individual artistic style.

 

Stella showed an early passion and aptitude for art, and he enrolled at the New York School of Art in 1897, studying under William Merritt Chase. He was initially fascinated by the work of the Old Masters, and his early drawings demonstrate how well he adopted their techniques. In 1909, he was finally able to return to Italy for the first time in thirteen years, and he wrote in his typically effusive style, “What a tremor of joy erupted at last!" Stella spent two years in Italy, basking in the beauty of his homeland and immersing himself in the art of the Italian Renaissance. However in 1911, he set out for Paris where he was dazzled by the modernist art scene and inspired by its “hyperbolic chromatic wealth." 

 

Stella returned to the United States determined to emulate the art of his time, however his first efforts revealed how reluctant he was to let go of illusionistic space and the influence of his Italian ancestors. Stella wrestled with this dilemma for much of his career, but he ultimately developed his own distinctive approach to painting, which reflected his conclusion that art should be free of “any bondage of time and locality."

 

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